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about

Based on an excerpt from Ulysses by James Joyce. All sound in the piece created from a single vocal recording. Reading by Meg Lamond

lyrics

Bronze by gold heard the hoofirons, steelyringing
Imperthnthn thnthnthn.
Chips, picking chips off rocky thumbnail, chips.
Horrid! And gold flushed more.
A husky fifenote blew.
Blew. Blue bloom is on the.
Goldpinnacled hair.
A jumping rose on satiny breast of satin, rose of Castile.
Trilling, trilling: Idolores.
Peep! Who’s in the ... peepofgold?
Tink cried to bronze in pity.
And a call, pure, long and throbbing. Longindying call.
Decoy. Soft word. But look: the bright stars fade.
Notes chirruping answer.
O rose! Castile. The morn is breaking.Jingle jingle jaunted jingling.
Coin rang. Clock clacked.
Avowal. Sonnez. I could. Rebound of garter. Not leave
thee. Smack. La cloche! Thigh smack. Avowal. Warm.
Sweetheart, goodbye!
Jingle. Bloo.
Boomed crashing chords. When love absorbs. War!
War! The tympanum.
A sail! A veil awave upon the waves.
Lost. Throstle fluted. All is lost now.
Horn. Hawhorn.
When first he saw. Alas!
Full tup. Full throb.
Warbling. Ah, lure! Alluring.
Martha! Come!
Clapclap. Clipclap. Clappyclap.
Goodgod henev erheard inall.
Deaf bald Pat brought pad knife took up.
A moonlit nightcall: far, far.
I feel so sad. P. S. So lonely blooming.
Listen!
The spiked and winding cold seahorn. Have you the?
Each, and for other, plash and silent roar.
Pearls: when she. Liszt’s rhapsodies. Hissss.

from Ulysses by James Joyce

credits

from The Electroacoustic Gallery, released December 9, 2005
voice: Meg Lamond

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Stelio Giannoulakis Αθήνα, Greece

An intuitive exploration of sound as a plastic medium. Natural energy trajectories and evolutionary properties collide and weave multithread vectors.

Music for concert, radio, dance, theater, multimedia and installations. Improvisation systems, sonic art, transformations of form and essence, cross-genre stylistic studies and interdisciplinary practical research.
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